Stacy Keach as Hemingway



Of all of the memorable characters created by Pulitzer and Nobel Prize winning author Ernest Hemingway, none was more complicated, more fascinating or more charismatic than Hemingway himself. Legendary writer, soldier, war correspondent, adventurer, brawler, sportsman, husband, father and lover, Hemingway embraced life with gusto. He was the personification of "macho" - adored by women and the quintessential "man's man." Yet, he suffered severe bouts of depression and ultimately took his own life.

HEMINGWAY reveals his tender and stormy relationships with each of his four wives: Hadley Richardson (Josephine Chaplin), who put aside her own aspirations to share his dreams as a struggling young author in Paris; Pauline Pfeiffer (Marisa Berenson), assistant to the Paris editor of Vogue Magazine and Hadley's friend before she became the second Mrs. Hemingway and moved with him to their famous Key West, Florida home; Martha Gellhorn (Lisa Banes), savvy, independent, globe trotting war correspondent; Mary Welsh (Pamela Reed), the Time-Life reporter Hemingway first met in war-torn London and who enthusiastically participated in his adventures up until his death in 1961.

Filmed on-location in Paris, Venice, Pamplona, The Alps, Africa, the U.S. and The Caribbean - places where Hemingway lived, worked, loved and produced some of the most influential and enduring fiction of the 20th Century.

A co-production of Daniel Wilson Productions and Alcor Film GmbH. Mr. Wilson, winner of numerous awards including 18 Emmys and a Peabody Award, was Executive Producer with co-Executive Producer Bodo Scriba. Director was Bernhard Sinkel with Wolfgang Treu as Director of Photography. Based on "Ernest Hemingway Collected Letters 1917 - - 1961" and Carlos Baker's celebrated biography, "Ernest Hemingway: A Life Story."

"The little moments that nobody ever got to see gave him the most joy. These moments could include the winter mornings in Idaho when he went out shooting quail with Gary Cooper, or catching a marlin in Cuba or winning at a cockfight. He loved violent sports and he almost created the word "macho," but on the other hand he was extremely sensitive and soft-spoken, almost meek. For me as an actor it was wonderful to explore and run a gamut of emotions."

"He was a complicated, idiosyncratic man. There's not a color in the human spectrum he doesn't reflect. He was a gentleman, a boor and a braggart, along with being sensible and humble."

"He became much more aware of his being a public persona than his job as a writer and I think he felt he was beginning to lose his identity as an author. He recaptured it with one glorious moment, 'The Old Man and The Sea' in the 1950s, but after that he just wasn't the same."

"Pain, pride and depression drove the author to take his own life. He couldn't write anymore, his memory was gone and at 61, he could no longer live up to the macho image of a man he created."


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